Limited PreSale.

PreSale copies include an exclusive poster and one copy of CM-i.4

Approaching a rave is unsettling. Tracing the rattling walls of a condemned warehouse, passing through its humid threshold, the anticipatory and apprehensive swells that don’t fade no matter how many surreptitious nights one has under their belt. What follows is a game of capture and release with our senses, repressing some in order to heighten others, against a dark-ended cacophony. It compels the most repressed of us to engage our deepest expressions of bodily sovereignty. Somehow, the paradox of agency and capitulation in these rooms still feels spectral. Be it through substance-altered perception, an awe at the communal spectacle, or a fixation on a beam of light, the rave is a prism of sensorial abstraction for one to enter in their own way, all to make room for a universal experience - liberation through sonic immersion.

In embracing these abstractions, this body of work manages to provide a cultural document: a vivid illumination of an elusive yet undeniable experience, without fully revealing its image.

Introduction by Jonathan Raissi
Logo Design by Clay Gibson

Fabric Debossed Hardcover
Layflat Binding
12 x 10 in, 120 pages
Edition of 200

* Please allow 4-6 weeks for presale shipping.

CM-i.4 is currently available for free with purchase of any other product in our shop. Please make a selection before purchasing.

Six covers featuring Jon Lowenstein's Shadow Work, WISP by AJ Wilson, Mikayla Miller in Ukraine, (untitled) halo by Donovan Novotny, Robert LeBlanc documentation of the Palisade Fires, and a new story from Nori Rassmusen-Martinez.

The issue also features Leelee Chan, Willy Chavaria SS25 by Jess Cuevas, BlackMass Publishing, Trevor Paglan, Gudalupe Rosales, Timetable Records, Sage Elssesser, Nikita Teryoshin, & more.

564 pages

Recycled paper

8.5x11 in.

An Experimental Documentary, Exhibition, and Book in association with adidas Originals by out Editor-In-Chief Robert LeBlanc. Elk follows five graffiti writers on a 4,800-mile journey through the heartland of America. The project was presented in a book, and documentary that was shown with in an installation at Good Mother Gallery in Los Angeles.

Includes one copy of CM-i.4.

10.5” X 16.5”

242 Pages

Textured Softcover with Brick Pattern Spot Finish

Textured fine art paper

Sewn in Perfect Binding